An inevitable and lurking idea that situations are contributed in this enormous expansion society has undergone. There will be interpretations and timeless validation that promote us to make sense of reality in rupture. A sobering notion plays out in this unprecedented momentum calling out attention.
The exhibition Salpukan hopes to contribute to this interest indirectly offering visual prospects in modality entangled with the vivid ideas of idioms and metamorphic synthesis of our society. We do not question but rather state jaded and easy moral judgments on these exchange of thoughts which gives us a fervent horizon neither inflict nor intimately passing through.
These attempts the elements accumulated to display textural gestures and perhaps entirely correlate us together with the sense of weight plus he freshness and at ease of the compositions, thus disrupts the cues being infused in deliberately operative as to shape with it or just waiting to be dispersed.
The compositions state junctions of society as to where we might be headed and are we tough enough to answer the consequences being hurled to us. These are storyboards of what we seem happening but nonetheless as Averil Paras’ work titled “Everybody Does It But Not Everyone Sees It”, it lays prospect norms we try to settle everyday-and as far as mingle love over relationships, Bernard del Mundo’s “Teasers” keeps an enticing view for Christian Regis elevates the stature being caught and locked from the memories entangled with the perception of marriage. Baru Dacasin tackled the dilemma of human existence on “Genocide of Equality” as Kris Jan Gavino gives notion on mistakes of reality in his work titled “Trapped In A Dream Called Reality” as well conjured to Frank Epil’s “Soltera”, leaving the viewer in constant motion of what is there after penetrating observations of reality.
SALPUKAN is on view until September 6, 2010 at Sigwada Gallery (1921 Oroquieta St., Sta. Cruz, Manila) For inquiries please call: 7435873.
Texts: Chris Regis
